I remember the first time I checked out a really big book from the library. Not just a novel, this thing was gargantuan. Noble House by James Clavell. I think half of my motivation was just to prove that I could read such a huge tomb. In retrospect, I wish somebody had caught me and recommended War and Peace instead. Still, I finished it, and that was important to me at the time.
Since then, I’ve read and written stories of all different sizes. Some of the most powerful, ideas that have endured in my memory to this day, were crafted with very few words. For a while, most of the industry seemed ready to declare short stories extinct. Only a few magazines held out against the falling market, and writers largely considered those venues resume builders. Then Amazon revolutionized publishing and opened a way for people to get anthologies (or even stand alone novellas) out with very low overhead. Luckily, the dying art was given new life.
It was especially fortunate for me, since I managed to get into some of those anthologies and build enough cred to sway a publisher to take a chance on my longer works. I believe if nobody made any more short stories, we’d lose something very important and valuable. While I like books for the journey they offer, I feel in many cases the books are inflated beyond the needs of the story. This might be to raise the price of the book, or to extend the escapism time it provides. However, I think we’ve all read a long book or series and thought, “That could have been done in half as many words (or books).” Fans may argue that they want 20 books set in their favorite world, but I feel those massive collections are only one facet of the many possibilities for transmitting stories via fiction. In fact, the most powerful ideas can only be shared in much smaller works.
I guess that’s why I knew the Actuator series had to be done with stories of many sizes. It isn’t only a study in the meaning of various genres, it’s a study on the impact of differing story lengths. Thus, it is over 20 authors, working in different story sizes with characters intertwined through the larger arc. I didn’t realize it when we organized the series and pitched it to Curiosity Quills Press, but the whole thing is not just a multi-genre thriller. It’s also an exploration of every facet of written story telling. It will be nearly half a million words by the end.
Book 3, Chaos Chronicles, is just a few months from release. It contains some of the most imaginative, unique stories in the series yet. It started out as another anthology in the same setting, but once I read the amazing work in it, I knew we had to bring those characters back in for the finale (book 4). I can’t wait for you to read it!